In the 1980s, the photographer Jamel Shabazz would walk the streets of his native New York with his camera, photographing young Black and brown people.

-

 In the 1980s, the photographer Jamel Shabazz would walk the streets of his native New York with his camera, photographing young Black and brown people. He took their pictures, arranged to share a copy with them, and kept it moving. “I don’t want anything in return,” he recalls telling his subjects. “Just going to record this moment in time ’cause I see your greatness.” Twenty years later, these images of carefree optimism feel distant, Shabazz says.

Comments

Post a Comment

Popular posts from this blog

The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”

-
  The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the  Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”
Read more