“I think it was just really hard for people to allow me to be somebody who isn’t joyfully tripping through Manhattan,” Sarah Jessica Parker says, of her roles after Carrie Bradshaw—but she hasn’t felt the urge to escape her association with the character. Why Sarah Jessica Parker Keeps Playing Carrie Bradshaw Why Sarah Jessica Parker Keeps Playing Carrie Bradshaw. In all of her professional endeavors, including the “Sex and the City” franchise, Parker considers herself a “bitter ender.”

-

 

“I think it was just really hard for people to allow me to be somebody who isn’t joyfully tripping through Manhattan,” Sarah Jessica Parker says, of her roles after Carrie Bradshaw—but she hasn’t felt the urge to escape her association with the character.

Comments

Post a Comment

Popular posts from this blog

The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”

-
  The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the  Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”
Read more

“On March 6, 2020, Andrew and I went to a rave. If it weren’t for what happened later, I don’t think it would have stood out in my memory.” In an excerpt from her forthcoming memoir, Emily Roxy Witt writes about New York at the beginning of the pandemic—the uncertainty, the fear, the loss, the protests, the rage, the loneliness—and the end of a relationship. The Last Rave The Last Rave In the summer of 2020, I felt as if I’d entered the wrong portal, out of the world I knew and into its bizarro twin.

-
Image
  “On March 6, 2020, Andrew and I went to a rave. If it weren’t for what happened later, I don’t think it would have stood out in my memory.” In an excerpt from her forthcoming memoir, Emily Roxy Witt writes about New York at the beginning of the pandemic—the uncertainty, the fear, the loss, the protests, the rage, the loneliness—and the end of a relationship. The Last Rave In the summer of 2020, I felt as if I’d entered the wrong portal, out of the world I knew and into its bizarro twin.
Read more