In “I’m Still Here,” Fernanda Torres, in a “superbly controlled performance,” plays Eunice Paiva—a woman whose family is torn apart by Brazil’s military dictatorship. Walter Salles’s Oscar-nominated film is, in more than one sense, about the strategic withholding of information. But “its dramatic caginess winds up blunting its own emotional force,” Justin Chang writes.

-

  In “I’m Still Here,” Fernanda Torres, in a “superbly controlled performance,” plays Eunice Paiva—a woman whose family is torn apart by Brazil’s military dictatorship. Walter Salles’s Oscar-nominated film is, in more than one sense, about the strategic withholding of information. But “its dramatic caginess winds up blunting its own emotional force,” Justin Chang writes.

Comments

Post a Comment

Popular posts from this blog

The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”

-
  The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the  Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”
Read more