In “I’m Still Here,” Fernanda Torres, in a “superbly controlled performance,” plays Eunice Paiva—a woman whose family is torn apart by Brazil’s military dictatorship. Walter Salles’s Oscar-nominated film is, in more than one sense, about the strategic withholding of information. But “its dramatic caginess winds up blunting its own emotional force,” Justin Chang writes.

-

  In “I’m Still Here,” Fernanda Torres, in a “superbly controlled performance,” plays Eunice Paiva—a woman whose family is torn apart by Brazil’s military dictatorship. Walter Salles’s Oscar-nominated film is, in more than one sense, about the strategic withholding of information. But “its dramatic caginess winds up blunting its own emotional force,” Justin Chang writes.

Comments

Post a Comment

Popular posts from this blog

“On March 6, 2020, Andrew and I went to a rave. If it weren’t for what happened later, I don’t think it would have stood out in my memory.” In an excerpt from her forthcoming memoir, Emily Roxy Witt writes about New York at the beginning of the pandemic—the uncertainty, the fear, the loss, the protests, the rage, the loneliness—and the end of a relationship. The Last Rave The Last Rave In the summer of 2020, I felt as if I’d entered the wrong portal, out of the world I knew and into its bizarro twin.

-
Image
  “On March 6, 2020, Andrew and I went to a rave. If it weren’t for what happened later, I don’t think it would have stood out in my memory.” In an excerpt from her forthcoming memoir, Emily Roxy Witt writes about New York at the beginning of the pandemic—the uncertainty, the fear, the loss, the protests, the rage, the loneliness—and the end of a relationship. The Last Rave In the summer of 2020, I felt as if I’d entered the wrong portal, out of the world I knew and into its bizarro twin.
Read more

The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”

-
  The Mexican director Sara Gómez, who died in 1974, made about 20 short documentaries in her short life, starting in 1961, two years after the  Revolution. In 1974, she shot her only feature-length film, “One Way or Another,” completed posthumously, which mixes a romantic drama with documentary sequences. Gómez, the first woman to direct movies in Mexico, created “a body of work that was in the creative and political forefront of its time and, in many ways, remains so even now,” Richard Brody writes. “Gómez, with her blend of documentary and fiction, of drama and intellectual analysis, devised a new cinematic method, which she used to express a powerful vision of her country, her time, and her own place in both.”
Read more

The entrepreneurial ethic addresses a central tension of capitalism: people need to work to earn a living, but stable, fulfilling jobs are hard to find. In times of economic inequality, the prospect of becoming your own boss holds a lot of appeal.

-
  The entrepreneurial ethic addresses a central tension of capitalism: people need to work to earn a living, but stable, fulfilling jobs are hard to find. In times of economic inequality, the prospect of becoming your own boss holds a lot of appeal.
Read more